Statues of Gudea
Twenty-six statues of Gudea have been found so far (A-AA).
| Ancient Mesopotamia |
|---|
| Euphrates – Tigris |
| Assyriology |
| Cities / Empires |
| Sumer: Uruk – Ur – Eridu |
| Kish – Lagash – Nippur |
| Akkadian Empire: Akkad |
| Babylon – Isin – Susa |
| Assyria: Assur – Nineveh |
| Dur-Sharrukin – Nimrud |
| Babylonia – Chaldea |
| Elam – Amorites |
| Hurrians – Mitanni |
| Kassites – Urartu |
| Chronology |
| Kings of Sumer |
| Kings of Assyria |
| Kings of Babylon |
| Language |
| Cuneiform script |
| Sumerian – Akkadian |
| Elamite – Hurrian |
| Mythology |
| Enûma Elish |
| Gilgamesh – Marduk |
A-K were found during Ernest de Sarzec's excavations in the court of the palace of Adad-nadin-ahhe in Telloh/Girsu. M-Q come from clandestine excavations in Telloh in 1924; most of the rest come from the art trade, with unknown provenances and sometimes of doubtful authenticity. Figures L and R do not represent Gudea with reasonable certainty. The statues were to represent the ruler in temples, to offer a constant prayer in his stead, and offerings were made to these. Most of the statues bear a dedication explaining to which god it was dedicated. He is either sitting or standing; in one case (N), he holds a water-jug au vase jaillissant. He normally wears a close fitting kaunakes, maybe made of sheep-skin, and a long tasselled dress. Only in one example (M, Soclet-statue) he wears a different dress, reminiscent of the Akkadian royal costume (torso of Manishtusu). On the lap of one of them (statue B) is the plan of his palace, with the scale of measurement attached. Statue F is similar to statue B; both are missing their heads, and have on their lap a board with a measuring scale and a stylus, only statue F doesn't have a ground plan.
It seems that the early statues are small and made of more local stones (limestone, steatite and alabaster); later, when wide-ranging trade-connections had been established, the more costly exotic diorite was used. Diorite had already been used by old Sumerian rulers (Statue of Entemena). According to the inscriptions, the diorite (or gabbro, na4esi) came from Magan.
The dedication of the diorite statues normally tell how ensi Gudea had diorite brought from the mountains of Magan, formed it as a statue of himself, called by name to honour god/goddess (x) and had the statue brought into the temple of (y). Most of the big (almost lifesize, D is even bigger than life) statues are dedicated to the top gods of Lagash: Ningirsu, his wife Ba'u, the goddesses Gatumdu and Inanna and Ninhursanga as the "Mother of the gods". Q is dedicated to Ningiszida, Gudea's personal protective deity more properly connected to Fara and Tell Abu Salabih, the smaller M, N and O to his "wife" Gestinanna. The connection between Ningiszida and Gestinanna was probably invented by Gudea in order to affect a closer connection to Lagash.
| number | material | size | posture | provenance | dedicated to | today at | museum catalogue numeber |
|---|---|---|---|---|---|---|---|
| A | diorite | 1,24 | standing | excavations E. de Sarzec, Telloh | Ninhursanga/Nintu | Louvre | AO 8 |
| B | diorite | 0,93 | sitting | excavations E. de Sarzec, Telloh | Ningirsu | Louvre | AO 2 |
| C | diorite | 1,38 | standing | excavations E. de Sarzec, Telloh | Inanna | Louvre | AO 5 |
| D | diorite | 1,57 | sitting | excavations E. de Sarzec, Telloh | Ningirsu | Louvre | AO 1 |
| E | diorite | 1,42 | standing | excavations E. de Sarzec, Telloh | Ba'u | Louvre | AO 6 |
| F | diorite | 0,86 | sitting | excavations E. de Sarzec, Telloh | Gatumdu | Louvre | AO 3 |
| G | diorite | 1,33 | standing | excavations E. de Sarzec, Telloh | Ningirsu | Louvre | AO 7 |
| H | diorite | 0,77 | sitting | excavations E. de Sarzec, Telloh | Ba'u | Louvre | AO 4 |
| I | diorite | 0,45 | sitting | excavations E. de Sarzec, Telloh | Ningishzida | Louvre | AO 3293 + AO 4108 |
| J | diorite | -- | -- | excavations E. de Sarzec, Telloh | -- | -- | |
| K | diorite | 1,24 | standing | excavations E. de Sarzec, Telloh | Ningirsu | -- | |
| L | diorite | -- | -- | -- | -- | (Kudurru) | |
| M | alabaster or paragonite | 0,41 | standing | clandestine excavations, Telloh 1924 | Geshtinanna | Detroit Institute of Arts | |
| N | dolerite, calcite or steatite | 0,61 | standing | clandestine excavations, Telloh 1924 | Geshtinanna | Louvre | AO 22126 |
| O | steatite | 0,63 | standing | clandestine excavations, Telloh 1924 | Geshtinanna | Ny Carlsberg Glyptotek, Copenhagen | NCG 840 |
| P | diorite | 0,44 | sitting | clandestine excavations, Telloh 1924 | Ningishzida | New York, Metropolitan Museum of Art | 59.2 |
| Q | diorite | 0,33 | sitting | clandestine excavations, Telloh 1924 | Ningishzida | body in Baghdad, head in Philadelphia | body: 2909, head: CBS 16664 |
| R | diorite | 0,185 | sitting | art trade | Namhani | Harvard Semitic Museum | HSM 8825 |
| S | limestone | -- | standing | -- | -- | Louvre | |
| T | -- | 1,24 | -- | -- | -- | Golenishev collection | |
| U | dolerite | 1,01 | standing | -- | Ninhursanga/Nintu | British Museum | |
| V | diorite | 0,74 | standing | -- | -- | British Museum | |
| W | diorite | -- | -- | -- | -- | -- | |
| X | diorite | -- | -- | -- | Meslamta'ea | -- | |
| Y | limestone | -- | -- | -- | Ningirsu | -- | |
| Z | diorite | -- | -- | -- | -- | -- | |
| AA | limestone | -- | -- | -- | -- | -- |
Further reading
- Dietz Otto Edzard, "Gudea and His Dynasty" Royal Inscriptions of Mesopotamia Early Periods - RIME 3/1 (Toronto University Press 1997).
- F. Johansen, "Statues of Gudea, ancient and modern". Mesopotamia 6, 1978.
- A. Parrot, Tello, vingt campagnes des fouilles (1877-1933). (Paris 1948).
- H. Steible, "Versuch einer Chronologie der Statuen des Gudea von Lagas". Mitteilungen der Deutschen Orient-Gesellschaft 126 (1994), 81-104.
External links
- Photographs of the Gudea statues at Louvre Insecula.com
- Statue M The Detroit Institute of Arts
Categories
Mesopotamia